clock menu more-arrow no yes

Filed under:

GOLDBERG SHOWS DIGNITY IN `CORRINA' WITHOUT SACRIFICING SELF-CONFIDENCE

Whoopi Goldberg may receive more attention for her flashy, brassy portrayals of women who turn the tables on men - the "Sister Act" movies, her Oscar-winning "Ghost" - but it is in her quieter roles, playing low-key, unassuming characters - "The Color Purple," "The Long Walk Home" - that she is most satisfying.

Such is the case with "Corrina, Corrina."Goldberg can project a vulnerability and dignity without sacrificing self-confidence, and that is certainly the case with this character, Corrina Washington, a university-educated black woman in the late 1950s. Unable to a obtain work in her chosen field, she is reduced to scrubbing floors and baby-sitting to eke out a living.

"I really need this job," she tells recently widowed Manny Singer (Ray Liotta, looking bemused), a middle-class suburbanite who works as an advertising copywriter and whose young daughter Molly (the astonishing Tina Majorino) has not spoken a word since her mother's death.

After interviewing a variety of zany candidates - and hiring one for a brief stay (goofy Joan Cusack in an amusing cameo) - Manny gives Corrina the job when he sees her connect with his daughter.

The first half of the film has Corrina using pop psychology mixed with sincere caring to bring Molly out of her shell, and after a time Molly begins talking again. Not surprisingly, she sees Corrina as a surrogate mother - and decides to play matchmaker to try and bring Corrina and her father together. She has no concept, of course, of the ramifications.

The second half of the film leads into a tentative interracial romance between Manny and Corrina and attempts to balance the problematic aspects that ensue as both parties find themselves subjected to disapproval and pressure from their families and friends.

All of the elements here don't quite come together as smoothly as one might like, leaving the film rather uneven. But the material is pleasantly handled and the actors give it a tremendous boost. Both Goldberg and Liotta offer introspective performances that prove to be quite engaging. And young Majorino (who also stars in the current "Andre") is simply wonderful, one of the most natural and charming child performers to come along in some time.

A sad footnote here is the cameo appearance by Don Ameche in his final film role as Liotta's father. He seems as ill as the character he plays and doesn't have much dialogue. Yet his smiling face, which seems to penetrate a sad mask, caused me to reflect on just how enjoyable he was as an actor - especially in his later years.

"Corrina, Corrina" is rated PG for one profanity and some mild vulgarity.