When John Hughes is credited as the writer-director of a movie, I'm never sure whether we're in for something as hilarious as "Planes, Trains & Automobiles" or something as flat as "She's Having a Baby."
"Uncle Buck" falls into the latter camp.
John Candy, virtually reprising his "Planes & Trains" character of a well-meaning but obnoxious slob, is the title character, a ne'er-do-well gambler whose girlfriend of eight years, Chanice (Amy Madigan), owns a tire dealership.
Chanice is trying to get Buck to settle down, but he can't make the commitment. She just about has him accepting a job in her tire shop when Buck gets an emergency call from his brother. The brother asks, against his wife's better judgment, that Buck come and babysit their three kids in the suburbs for a week.
The kids are a trio, elementary-age Maizy and Miles (Gaby Hoffman, Macaulay Culkin) and troubled teen Tia (Jean Kelly). The younger kids are amiable cuties, but Tia is a surly, unhappy wiseacre who hasn't adjusted to her parents making her move to a new town. Since both her parents work, she constantly makes cutting remarks to make them feel guilty about neglecting their children.
Mom is obviously hurt by these comments, and she and Tia have apparently been estranged for some time. But Dad just smiles as if nothing's really the matter, when it's apparent he should be reaching out to his daughter.
Soon Uncle Buck arrives and immediately wins over the little ones. Tia, however, is as nasty as she can be, despite Buck's efforts. She also has a "rocker" boyfriend named Bug (Jay Underwood) who makes sexual advances, and, of course, Buck's warnings about him only push Tia closer to Bug.
All of this sounds like pretty serious stuff — and it is. But there are lots of wild comedy scenes in "Uncle Buck," such as Buck's noisy, dilapidated car; Miles grilling of Buck, a la "Dragnet"; Buck confronting a school counselor about Maizy's being too "dreamy"; etc. But there is a dark side, as well.
The result is some very funny lines of dialogue and a few hilarious sight gags, but the more dramatic moments seem too stark in their seriousness. There's nothing wrong with blending comedy and drama, but Hughes doesn't give us any transition time to lead us into the highs and lows.
The most obvious example comes when Chanise phones Buck and Tia answers. She tells Chanise that Buck isn't home, that he's out with another woman. It's a lie, of course, and makes for a very painful moment — and it just about does in any sympathy we might have had for Tia up to that point. Then the very next scene is broad slapstick as Buck does laundry in the microwave. But it's impossible to laugh because we're still angry about the phone call.
By way of contrast, "Parenthood" handles such transitions much better. For that matter, so does "Planes, Trains & Automobiles."
Most of the performances are good, especially those of Candy, who can be both very funny and charmingly sentimental, and Amy Madigan, who seems an odd choice to play Candy's girlfriend but somehow makes it work in her own tough-character way. In truth, however, she doesn't really have much to do.
Culkin and Hoffman as the young ones are funny and seem like real kids. But Kelly as Tia is just too morose, and writer-director Hughes requires her to be such a brat, that I found it virtually impossible to warm up to her. Cast against type, Underwood is effective, but is he supposed to be a cartoon or really dangerous — Hughes can't seem to decide.
During the inevitable cozy ending, when everyone gets together and makes up, it's just too cloying, given all that has gone before.
There's also a bit too much profanity and vulgarity for this picture to truly qualify as a "family film." Particularly inappropriate is a moment where Buck's voice on Chanise's telephone answering machine refers to nicknames for various parts of her body.
"Uncle Buck" is rated PG for considerable profanity, some vulgarity a brief sexual encounter and comic violence.