Josh Terry

Joshua Terry is an award-winning writer and photographer who also teaches English composition for Weber State University. He has written weekly film reviews for the Deseret News since 2013.

The biggest problem with ‘Call of the Wild’ is the dog
By 
Josh Terry
‘Birds of Prey’ has a hero problem
By 
Josh Terry
‘Bad Boys for Life’ fails to revive a tone deaf era of action comedies
By 
Josh Terry
‘Underwater’ is too boring to be a thriller, and not scary enough for horror
By 
Josh Terry
Death row drama ‘Just Mercy’ has a stellar cast, but leaves you wondering what could have been
By 
Josh Terry
Intimate ‘1917’ puts viewers on the ground and in the trenches of World War I
By 
Josh Terry
High-flying ‘Aeronauts’ looks good, but struggles a little in the thin air
By 
Josh Terry
Review: ‘Knives Out’ is a must-see whodunit — with one major twist
By 
Josh Terry
‘Shining’ sequel ‘Doctor Sleep’ should make fans of the first film pretty happy, if not exactly horrified
By 
Josh Terry
Why war movie ‘Midway’ is highly disappointing
By 
Josh Terry
‘Harriet’: Does the first film about Harriet Tubman do the Underground Railroad hero justice?
By 
Josh Terry
‘The Lighthouse’: This surreal slow burn horror film isn’t for sensitive eyes
By 
Josh Terry
Kanye West’s Imax film ‘Jesus is King’ is artsy, inspiring and ridiculously short
By 
Josh Terry
New horror film ‘Countdown’ claims your phone really is trying to kill you. It’s the perfect metaphor for 2019.
By 
Josh Terry
Sundance feature ‘Birth of the Cool’ floats through the movements of Miles Davis’ life
By 
Josh Terry
Why we didn’t need ‘Maleficent: Mistress of Evil’
By 
Josh Terry
If you’ve seen ‘Taxi Driver,’ Todd Phillips’ dark, violent ‘Joker’ will make a lot more sense
By 
Josh Terry
Brad Pitt’s space epic ‘Ad Astra’ feels familiar. But it’s unique in one major way
By 
Josh Terry
2019 fall movie preview: 10 movies to see, 10 movies that should have you worried
By 
Josh Terry
Movie review: ‘After the Wedding’ remake is a mess of unearned melodrama
By 
Josh Terry